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Author: Anaïs Fléchet

Protected: The Musical Worlds of Gilberto Gil

October 16, 2018Anaïs Fléchet

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Discussion Black Atlantic, exile, folk music, pop music

Recent Posts

  • Some Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally
  • Transatlantic Cartographies of Popular Music in the Americas – Full Text
  • “Old Klezmorim”. Musical circulations and migrations of professional musicians between Europe and the United States of America.
  • Protected: The Musical Worlds of Gilberto Gil
  • Protected: Intercultural Exchange in Pan-American and Atlantic Worlds: Mission, photography and Pan-Americanism in Chile’s Methodism (Oct. 17th)

Recent Comments

  1. Some Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally – Michael J. Kramer on Embodying Modernity: Fitness Culture, Global Power, and Brazilian Nationalism
  2. Some Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally – Michael J. Kramer on Protected: Intercultural Exchange in Pan-American and Atlantic Worlds: Mission, photography and Pan-Americanism in Chile’s Methodism (Oct. 17th)
  3. Some Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally – Michael J. Kramer on Kramer, Alan Lomax’s Transatlantic Journey: From Regionalist to Globalist
  4. Some “Sketchy,” Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally – Michael J. Kramer on Keynote: William B. Hart, The Past as the Small and the Mighty
  5. Some “Sketchy,” Preliminary Reflections on Reconceptualizing Cultural Histories of the Atlantic World, Digitally and Interculturally – Michael J. Kramer on Protected: The Musical Worlds of Gilberto Gil

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