january 2023 edition.
Sounds
- Pacific Gas & Electric, “Staggolee”
- Tim Daisy, New Works For Solo Percussion
- Tim Daisy & Ikue Mori, Light and Shade
- The Compass—Sounds of the City: Los Angeles, BBC Sounds
- Margarida Garcia, Good Night
- Luther Davis & Hus Caudill, Old-Time Galax-Style Twin Fiddling recorded by Tom Carter & Blanton Owen
- Kate Fagan, “I Don’t Wanna Be Too Cool”
- Various Artists, The Sun is Setting on the World
- Yasmin Williams, Urban Driftwood
- Pigeon Pit, feather river canyon blues
- Lisel, Patterns For Auto-Tuned Voices And Delay
- Theophilus Oluwafifehami Ajayi, “Destination To West Africa”
- Biensüre, “Cawa”
- Michael Snow, “Conference: Subject: 3 Inches = 77 Milimetres = 3 Min 30 Sec,” Hearing Aid
- Felipe Perez y Sus Polkeros, “Las Criadas,” Dulce Sueños
- Sir Lancelot, “Atomic Energy”
- Pete Seeger, “Talking Atom”
- Sam Hinton, “Old Man Atom”
- David Grubbs, On Derek Bailey, Roulette Intermedium Podcast
- HastagPublicEnemy, BBC Sounds Drama
- Tom Verlaine, Gaylord Fields Show, WFMU 6 January 2006
- Jacueline Nova, Creation of the Earth: Throbbing Echoes of Jacqueline Nova—Electroacoustic and Instrumental Music (1964-1974)
Words
- Gayl Jones, Palmares
- Mick Herron, London Rules
- Amanda Petrusich, “David Crosby Understood the Sharpness of Despair,” New Yorker, 24 January 2023
- Allyson McCabe, “She Brought New Sounds to Colombia. The World’s Catching Up,” New York Times, 20 January 2023
- Jeremy Gordon, “Wax Cylinders Hold Audio From a Century Ago. The Library Is Listening,” New York Times, 02 January 2023
- Gagosian Quarterly, Winter 2022
- Wilfred Chan, “‘It’s a strange moment we live in’: MLK sculptor on backlash to monument,” Guardian, 19 January 2023
- Charles Capper, “‘A Little Beyond’: The Problem of the Transcendentalist Movement in American History.” Journal of American History 85, 2 (1998): 502–39
- Jennifer Wilson, “John le Carré’s Search for a Vocation,” New Yorker, 16 January 2023
- Merve Emre, “Has Academia Ruined Literary Criticism?,” New Yorker, 23 January 2023
- Rhea Nayyar, “An Afternoon in the Park With Shahzia Sikander’s Golden Monuments,” Hyperallergic, 24 January 2023
- Alyssa Battistoni, “Latour’s Metamorphosis,” Sidecar—New Left Review, 20 January 2023
- Chris Wright, “The Radicalism of Working-Class Americans by Chris Wright,” Labor Online, 11 January 2023
- Dylan Riley & Robert Brenner, “Seven Theses on American Politics,” New Left Review 138, November/December 2022
- Tim Barker, “Seven Theses on Brenner and Riley’s ‘Political Capitalism’,” Origins of Our Time Substack, 24 December 2022
- Margaret O’Mara, “Are You Better Off than You Were Four Years Ago? The Economy in Presidential Politics,” Perspectives on History, 10 September 2020
“Walls”
- Vittore Carpaccio: Master Storyteller of Renaissance Venice @ National Gallery of Art
- Vermeer’s Secrets @ National Gallery of Art
- Romare Bearden: Artist, Activist, and Advocate of the Promised Land @ BYU Museum of Art
- In the Shadow of Mt. Tam @ Anthony Meier Gallery
- Ed Ruscha, Parking Lots @ Yancey Richardson Gallery
- Brad Stumpf, Shadow Plays @ Harkawik
- Rick Lowe, Notes on the Great Migration @ Neubauer Collegium
“Stages”
- The Tempest @ Roundabout Theatre, 28 January 2023
- Partch Ensemble Making Music: Daniel Rothman, 8 December 2022
- Partch Ensemble Making Music: TJ Troy, 6 December 2022
- John Zorn and Bill Laswell, Turbines @ Gagosian, 19 December 2023
- Meridian Brothers @ New Sounds, WNYC, 23 January 2023
- Yo La Tengo with Sun Ra Arkestra horns @ Bowery Ballroom, 25 December 2022
- Ron C. Judd, Red Scare Politics at Western Washington University @ Whatcom Museum, 8 February 2018
- Elijah Wald, “A Tribute to Samuel Charters” @ ARSC Conference, 28 May 2015
- The Theodore Roszak Papers in Focus @ Stanford Library Special Collections, 15 November 2022
Screens
- Amie Siegel, The Architects, Hyundai Card Video Views, MoMA Magazine
- Hy Hirsh, Come Closer
- Argentina, 1985
- Jack Ryan, Season 03
- Casino
- Hunters, Season 02