august 2022 edition.
Sounds
- No-No Boy, 1975
- Guided By Voices, Crystal Nuns Cathedral
- “Peter Kropotkin,” In Our Time, BBC Sounds
- “Walter Benjamin,” In Our Time, BBC Sounds
- Matthew Mullane, Hut Variations
- Mamman Sani,, La Musique Electronique du Niger
- Buell Kazee, Buell Kazee
- Sparky Rucker, Cold and Lonesome on a Train
- Ginny Hawker & Kay Justice with Tracy Schwarz, Come All You Tenderhearted: Traditional Southern Singing
- Gending Tari Dan Tembang, Heru Subeno, Reyog Ponorogo, Volume 3
- “Changüí!,” Afropop Worldwide, 11 August 2022
- Various Artists, Changüí: The Sound of Guantánamo
- Natural Information Society and the Bitchin Bajas, Autoimaginary
- American Music Theater, Harry Partch: Revelation in the Courthouse Park
- Matthew Sitman and Sam Adler-Bell, “Christopher Lasch’s Critique of Progress, with Chris Lehman: What exactly did Christopher Lasch want?,” Know Your Enemy Podcast, Dissent, 11 August 2022
Words
- Matthew Specter, “Realism’s Imperial Origins,” Dissent, Summer 2022
- Tim Sommer, “In the Late ’70s, Teen Punks Ruled New York. These Are Their Stories.,” New York Times, 3 August 2022
- Bob Mehr, “Earl McGrath Was a Character. His Closet Was Filled With Rare Recordings,” New York Times, 12 July 2022
- Marcus J. Moore, “Revisiting the Pyramids’ ‘Avant-Garde African Jazz,’ Four Decades Later,” New York Times, 14 July 2022
- Kate Hutchinson, “‘Better Late Than Never’: How Brian Eno and David Byrne Finally Laid a Musical Ghost to Rest,” Guardian, 11 August 2022
- Benjamin Lapidus, Origins of Cuban Music and Dance: Changüí
- Omari Weekes, “Mindful Mayhem: La Marr Jurelle Bruce on Madness, Black Expressive Culture, and Radical Compassion,” Bookforum, March/April/May 2022
- Jennifer Wilson, “Hegemony Changes Everything: Antonio Gramsci’s Theories of How the Rich Stay Rich,” Bookforum, March/April/May 2022
- Hermione Hoby, “Love, Labor, Loss: Laura Kipnis’s Field Report on Romance During the Pandemic,” Bookforum, March/April/May 2022
- Gene Seymour, “Sharpening Her Oyster Knife: The Ferociously Independent Zora Neale Hurston, Bookforum, March/April/May 2022
- Matthew Crain, “How Capitalism—Not a Few Bad Actors—Destroyed the Internet,” Boston Review, 3 August 2022
- Nina Fouilloux, “Listening to Geese: The Non-Human, Art, and The Possibilities of Global Thought (Part I),” JHIBlog, 4 July 2022, Part I & Part II
- Byrd McDaniel, “A New Age of Protest Music: Through online fan communities and digital platforms like TikTok, popular music is finding powerful new ways to shape everyday activism, protest, and resistance,” Boston Review, 22 June 2020
- Gia Kourlas, “What Does a Dancing Body Feel Like in Ukraine? ‘I Am a Gun.’,” New York Times, 24 August 2022
- Mimi Melnick and Robert A. Melnick, Manhole Covers
“Walls”
- Modernism in Miniature @ Norton Simon Museum
- Charley Friedman: Soundtracks for the Present Future @ Everson Museum of Art
“Stages”
- Saint Joan @ MUCCC, 13 August 2022
- David Fulmer Performs at Charley Friedman: Soundtracks for the Present Future, Everson Museum of Art
- Jaimie Branch & Jason Nazary (Anteloper) @ ESS Gala, Sleeping Village, 4 October 2018
- Jaimie Branch & Fred Lonberg Holm @ ESS, 18 July 2016
- Jaimie Branch, Josh Berman & Ben LaMar Gay @ ESS, 18 July 2016