april 2022 edition.
Sounds
- Tony Renaissance, “Ice Blue,” We Stand With Ukraine
- Lea Bertucci: Trespassing, Roulette Tapes Podcast
- Vinny Golia: Scaling Up, Roulette Tapes Podcast
- Miguel Frasconi: Breaking Glass, Roulette Tapes Podcast
- Immanuel Wilkins: Make It Shine, Roulette Tapes Podcast
- Bjork, “Human Behavior”
- Tinariwen, Radio Tisdas/Amassakoul Influences (Mixtape), Aquarium Drunkard
- Elvis Costello, All This Useless Beauty
- Freakons, Freakons
- Christopher Trapani, Horizontal Drift
- Mack McCormick, A Treasury Of Field Recordings and The Unexpurgated Folk Songs of Men: Treasury Of Field Recordings Vol. 1 & 2
- Anna Tivel, “Illinois”
- Klaus Wachsmann, Uganda Collection
- “Poor Boy Blues” Variations, Old Weird America
- Mystery Jazz Acetate from Sanders Recording Studio on W. 48th St.
- Emily Pick, The Wire Adventures in Sound, April 2022
- Bas Jan, “You Have Bewitched Me”
- Cheri Knight, “Prime Numbers”
Words
- Kevin Dan, “A Hall of Mirrors: Cabala, Spiegel Der Kunst Und Natur, In Alchymia (1615),” Public Domain Review, 15 March 2022
- Matt Mehlan, “Archive Dive: Fred Anderson Collection,” Experimental Sound Studio Newsletter, 23 March 2022
- Nella Larsen, Passing, BBC Sounds
- Lawrence Schenbeck, Racial Uplift and American Music, 1878-1943
- Marvin Edward McAllister, Whiting up: Whiteface Minstrels & Stage Europeans in African American Performance
- Charlie Post, “Beyond Racial Capitalism: Toward a Unified Theory of Capitalism and Racial Oppression,” Brooklyn Rail, October 2020
- Satnam Virdee, “The Longue Durée of Racialized Capitalism: A Response to Charlie Post,” Brooklyn Rail, February 2021
- Charlie Post, “A Response to Satnam Virdee’s The Longue Durée of Racialized Capitalism,” Brooklyn Rail, February 2021
- Edward McClelland, “This is the End of Chicago (Geographically),” Chicago Magazine, 13 April 2022
- Edward McClelland, “A Trip to Hegewisch, Chicago’s Most Remote Neighborhood,” Chicago Magazine, 25 January 2022
- David Yaffe, “‘I was born here and I’ll die here, against my will’: Time Out of Mind at 25,” Trouble Man: Musings of David Yaffe, 28 April 2022
- TM Brown, “Hidden in a Fire Island House, the Soundtrack of Love and Loss,” New York Times, 29 April 2022
- Merve Emre, “The Act of Persuasion,” New York Review of Books, 21 April 2022
“Walls”
- Adam McEwen: Execute, Gagosian
- Igshaan Adams: Desire Lines, Art Institute of Chicago
- Barbara Stauffacher Solomon: Exists Exist, Graham Foundation
- Alex Katz: Ada, Gladstone Gallery
- Yinka Shonibare CBE RA: Planets in My Head, Frederik Meijer Gardens and Sculpture Park
- Mixpantli: Contemporary Echoes, LACHMA
- Modern Art, LACMA
- City of Cinema: Paris 1850–1907, LACMA
- The Wende Museum of the Cold War
- Larry Bell, Dia: Beacon
- Jeff Wall, White Cube Mason’s Yard
- Hulda Guzmán: Meet Me in The Forest, Stephen Friedman Gallery
- Juan Araujo: Laughing and the Storm, Stephen Friedman Gallery
- Rivane Neuenschwander: Trôpego Trópico, Stephen Friedman Gallery
- Field Guide to North American Happiness, Paintings by Francis Zaander, Eat Paint Studio
“Stages”
- Laurie Amat and Kristina Warren, Monosound/Sympraxis, TQC 2022, Experimental Sound Studio
- Dancers on Film: Maya Deren in Context, Getty Research Institute
- Hot off the Presses: The Human Being in American Art: A Transatlantic Book Launch, Center for Ideas & Society, UC Riverside
- Gary Gerstle on The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era, Washington History Seminar, Wilson Center, National History Center, 11 April 2022
Screens
- Possibly in Michigan by Cecelia Condit (1983, US, 12 min.) and The Amateurist by Miranda July (1998, US, 14 min.), Walker Arts Center website
- The Lost Daughter
- Murder on the Orient Express (2017)
- Slow Horses, Season 01
- Billions, Season 06
- Despite the Falling Snow
- All the Old Knives
- Moon Knight, Season 01
- Tokyo Vice, Season 01