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Michael J. Kramer
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Essays & Other Publications
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Culture Rover - Promiscuous Cultural Criticism
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Let’s Get Uncreative
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Cold War Tones
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When Folk Music Met the Computer
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Robotic History
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Culture Rover - Promiscuous Cultural Criticism
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Harry Smith Speaks
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Tribute to Barry Olivier
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Raising the Bar
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If You’re Going to San Francisco
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The Transatlantic Ballad of Alan Lomax
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Free in the Free World, Cool in the Cold War
The Republic of Rock
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White Collar Blues
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Shattering Narrative History
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Articulating Stuart Hall
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Digital Humanities Outside the Center
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Is Punk Rock Intellectual History?
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Soul By Proxy
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Ideas of the PMC
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Toward a Multimodal Berkeley Folk Music Festival Project
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Creating the Berkeley Folk Music Festival Project
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Finding the Berkeley Folk Music Festival Project
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History Does Not Compute
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Connections in Sound
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Contingency Plans
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The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction
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This Anthem Was Made For You & Me?
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The Counterculture in The World of Bob Dylan
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Beyond Culture As Compensatory Politics
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What Does A Photograph Sound Like?
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Bullseye
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Sonification & Cultural History
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Lipstick Traces
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Some Conclusions About Introductions
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Let’s Abolish Academic Prizes
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Culture Rover - Promiscuous Cultural Criticism
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Thinking the Blues
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When Woodstock Was “Wild East” Op-Ed
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A People’s History of the 1970s
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The Mind Is a Muscle
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The State of US Intellectual History
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Watching the World Wake Up From History
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Time To Look in the Mirror
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The Woodstock Transnational
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A Foreign Sound To Your Ear: Digital Image Sonification for Historical Interpretation
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Glitching History
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Movement Politics Again
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Cherish Your Exceptions
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Intimate Choreography & the Responsibility of the Audience
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The Republic of Rock Blog
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When Hippies Went On Strike at KMPX-FM
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The Republic of Rock Blog
Hot Fun (and Full Text) in the Summertime
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Bodies Against the Grain
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The Republic of Rock Blog
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Summer of Love, Summer of War—New York Times Op Ed Supplement
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The Republic of Rock Blog
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The Negative Dialectics of the Summer of Love
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Theorizing Dance Dramaturgy
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A Whiter Shade of Pale
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Movement Politics
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Contemporary Dance As Public History
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War! What Is It Good For? As A Metaphor, A Lot
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Interview at IASPM-US Blog
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Moving History
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How To Get Power
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Dance & Intellectual History
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A Revolutionary Mix—Music for An Artists’ Congress
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Synthesizing Fragmentation
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Troubling Knowledge
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Lasching Out
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Liberation Struggles
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Christopher Lasch’s Reflection
Selected Journalism
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